Archival Ink Jet Prints Copyright 2013 Carol Skinger
Small Print $36. 4.5” x 8.5” image area.
Medium Print $48. 6.5” x 12.5” image area
Large Print $85. 13” x 25” image area
Archival Inkjet Printing, also known as Pigment or Giclée Printing
Archival Ink Jet Prints Copyright 2013 Carol Skinger
Small Print $36. 4.5” x 8.5” image area.
Medium Print $48. 6.5” x 12.5” image area
Large Print $85. 13” x 25” image area
Archival Inkjet Printing, also known as Pigment or Giclée Printing
So thrilled to be the recipient a ‘Best of Show’ Award from Freyda Spira, Associate Curator in the Department of Drawings and Prints at the Metropolitan Museum of Art.
My series of six 9″ x 9″ watercolor & gouache paintings of mobile homes, trailers and manufactured homes were accepted for exhibit at a Pittsburgh Society of Artists juried art show titled “Intr(au)spective” at the 56th Annual Dollar Bank Three Rivers Arts Festival (TRAF) in Pittsburgh June 5- June 14, 2015 at 937 Gallery 937 Liberty Avenue Pittsburgh PA 15222.
I titled my series of six paintings which were awarded Best of Show ‘Unscenic?’. The overall theme of Three Rivers Arts Festival that summer was Unseen Unheard, therefore I used one of the words in making my title. No I do not think mobile homes are unscenic. These homes remain an affordable and needed housing solution. However I’d like to see progress in design. The interest in the Tiny House Movement has never yet produced an affordable solution that can compete, and cost of living is very much an issue. I hope someone can soon achieve scale in manufacturing a new series of modern designs.
Juror Freyda Spira, Associate Curator in the Department of Drawings and Prints at the Metropolitan Museum of Art awarded 3 Best of Show Awards and my series received one of them.
For this exhibit 92 artists submitted 160 pieces of artwork. Spira selected 34 pieces by 30 artists to be shown. My second submission was also accepted titled “Trailer Toile”.
Serving as juror for PSA’s Intr[au]spective is Freyda Spira, Associate Curator in the Department of Drawings and Prints at the Metropolitan Museum of Art in New York. She earned her Ph.D. from the University of Pennsylvania, and specializes in Early Modern German art and works on paper. Spira has curated exhibitions including, Dürer and Beyond: Central European Drawings in the Metropolitan Museum of Art (2012); and Imperial Augsburg: Renaissance Prints and Drawings (2012). Presently, she is curating an exhibition entitled Prints & People: The Building of a Metropolitan Collection, 1916-1966, which will be accompanied by a catalogue (2016). She has also curated numerous smaller exhibitions on nineteenth and twentieth century visual culture, including Legends of the Dead Ball Era, Century Posters, Life Magazine and Pop Art, and A Sport for Every Girl.
Freyda Spira Juror’s Statement:
“50 years ago a hardy band of eight artists formed the Pittsburgh Society of Artists with the mission to facilitate and promote the exhibition of original art by its members. Today more than 380 artists living within a 150-mile radius of Pittsburgh comprise PSA. The title of the show is a playful twist on PSA’s 50th anniversary nodding to the periodic table and the 79th element of gold, but it also reflects the interior life of the artist and the introspective nature of traversing the mindscape where the image and inspiration for the artwork first appear.
The provocative work submitted for the Intr(Au)spective exhibition ranged from beautifully detailed craftwork, to abstract paintings, sculpture, and prints. As varied as the artists who submitted the works, the questions posed, lives exposed, and continuing battles fought spoke to the underlying idea of the exhibition and demonstrated not only the artists own musings, but also set into motion open-ended reactions. As a juror, I was constantly engaged by new ideas, new ways of seeing, and this was a complete pleasure. The three works that I selected as “Best in Show” prompted in me the greatest introspection. Unscenic? (2015) posed the question of pride in our home, and captures the movement of the eye as it crosses a familiar but perhaps not faultless landscape, creating snap shots with the fugitive media of watercolor and gouache. Untitled (Salt 0806) (2015) fascinated as the perfect rendering of details of the mind as it distills and crystallizes into actionable thought. Unsee (2015) rather than bringing into focus the movement of the mind hides it beneath layers of wax and collage, leaving the viewer to search and grapple for clarity.
As the juror who had the privilege to select the works for the Intr(Au)spective exhibition, I thank the Pittsburgh Society of Artists for this honor and congratulate the guild on reaching this special milestone and a future that shines brightly towards its next 50 years.”
-Freyda Spira
Associate Curator in the Department of Drawings and Prints at the Metropolitan Museum of Art in New York
Writer Brandon Getz engaged by Pittsburgh Cultural Trust write this about the exhibition:
“For its golden anniversary, the Pittsburgh Society of Artists has put together a fantastic exhibition of work from 30 local artists. From abstract paintings to sculpture to magnified photography, the 34 pieces in the PSA’s 50th anniversary Intr[Au]spective at 937 Liberty Gallery were handpicked by nationally recognized juror and curator Freyda Spira, each a variation on the Dollar Bank Three Rivers Arts Festival’s 2015 theme UNSEEN/UNHEARD.
Spira, an Associate Curator in the Department of Drawings and Prints at the Metropolitan Museum of Art in New York, is a specialist in paper-based and print works, especially Renaissance-era and—at the other end of the spectrum—“American visual culture from the 19th and 20th centuries,” including advertising prints. “I have a broad appreciation,” she says. “Because I’m not often working with contemporary art, it’s something I can bring fresh eyes to.”
I read this and donated. Teens are so important! To support this apprenticeship/mentor program, what could be easier, more direct and concrete? Do our universities need support? Yes. Do our museums and libraries need support? Yes. Community Centers? Yes. But so does this grassroots group Mobile Sculpture Workshop need our financial support, a tiny yet growing art/welding/teens & mentors institution. DEFINITELY!! Teens are paid a stipend during their apprenticeship and their mentors also need our support. Why does this speak to me?
Soldering and welding is a big part of my family story, so I am happy to contribute to this program, the Mobile Sculpture Workshop. This great City Paper article tells more about them. Read it and become inspired about what they are all about. Much more inspired than my words here.
The Mobile Sculpture Workshop is for training and mentoring high school students in the skill of welding in the Pittsburgh area with its proud history in steel. Welding has both obvious industrial application as well as sculptural, art, entrepreneurial and maker tradition. The Mobile Sculpture Workshop program connects area high school students to mentors who are helping shape Pittsburgh’s footprint in a more artistic, and often scrappy (in the best sense) way. It is obvious that this is a great program in so many ways, and worth supporting. The Mobile Sculpture Workshop is a pilot program from Pittsburgh’s Industrial Arts Cooperative, a collective of metalworkers and sculptors who have installed many public works over the past 20 years, for instance at the Carrie Furnace which by now most folks have heard of. What a great idea! Let’s all pitch in.
On another wavelength Carrie Furnace was also the site of filming the 2011 Antiques Roadshow segment ‘Tough Love: Iron and Steel Jewelry.’ Producer Adam Monahan said ‘Here is some of the most elegant jewelry the world`s ever seen, and it`s fashioned out of iron and steel.’ Just another branch of the story of metals. Do I need to say the words: Out of this Furnace?
I mentioned that soldering and welding is a big part of my family story and here are three examples. Our son Adam Horn 2013 BFA Metals and Jewelry Design RIT, School of American Craft (with professors Leonard Urso and Carlos Caballero-Perez) was totally energized when he learned welding and working large as part of that RIT major, and would have gravitated to this program as a teen had it existed. Nearby my cousin Lynda LaRoche retired Professor of Jewelry & Metals at Indiana University of Pennsylvania and recipient of the Niche Award (Niche is for excellence and innovation in American and Canadian fine craft) Art Educator of the Year 2011, was also an influence. Pittsburgh resident (the awesome) Sharon Massey now holds her former faculty position at IUP. My father Joe Skinger Silversmith and Sculptor in Vermont was also an influence, by the presence of his work and general influence in our lives. He was largely self taught, but also took advantage of the GI Bill studying metal working in England at the London Central School of Arts and Crafts.
I feel I can imagine how important an apprentice/mentor relationship can be for the teens who get involved with Mobile Sculpture Workshop. When I was 14, I worked for my father full time during that summer when he lost his only assistant. I spent the summer taking notes from his discussions of each design of his that I would then execute with cutting, soldering and filing, becoming familiar with his jigs and practices. Because of the memory of this experience I can well imagine how much a teen can learn by participating in the Mobile Sculpture Workshop. Our son will remember learning to solder at a younger age at my husband John Horn’s lab.
But if you do not have access to metals instruction in high school as our son did, and you do not have family members who have pursued metals as a career, or a dad with a lab, or a GI Bill how would you be able to make that connection to melting metal, forming it and making things? We absolutely need programs like Mobile Sculpture Workshop for our young people, who cannot otherwise learn these skills except perhaps in Community College at an older age to serve the welding needs of the fracking industry. At that point they may never again have a training experience or life experience that is art related or would suggest alternative routes to application of welding skills except as it relates to industry. And yet in a way industry is what this is all about. No one says they must go into art. But teaching and learning skills of making can trigger all sorts of ideas and applications. Ideas we need.
So friends I hope you will join me by contributing in any amount possible to Mobile Sculpture Workshop. These kids are learning and getting paid a small stipend. Their teachers and mentors need our support too. Every dollar means so much to this worthy program. Here is their facebook link. Like them to follow their developments. I have resisted Twitter so far so go find that on your own.
Which way to show my new watercolor painting? Anyway you want. “Composition” will be presented in the first orientation shown at upper left in Pittsburgh Society of Artists 49th Annual Exhibition at Panza Gallery Opening reception Saturday October 11, 2104 from 6-8:30pm. Awards and a gallery talk by the juror will be at 7PM.
Juror: architect Paul Rosenblatt of Springboard Design.
Overall dates of show: Saturday October 4−Saturday October 28, 2014.
Panza Gallery hours are: W, TH, F: 10−5pm Sat: 10−3pm
Map to gallery
I never take having a piece accepted into a show for granted. 181 works of art were submitted by 98 members from which 53 pieces of artwork by 40 artists were selected for exhibit. It is always more fun to squeak through the door than not have work accepted!
This composition with layer after layer of a gradual pigment buildup in stripes was especially meditative.
I am excited to say that as a tiny part of the ongoing circus at the Warhol Museum which had a BIG BASH May 17, 2014 my images of Warhol’s childhood home in Pittsburgh, his high school (Schenley), as well as an image of his family church (did you know he was devout all his life?) are available for purchase as greeting cards in the new enlarged shop at the museum. I am really appreciative that the Carnegie Museum of Pittsburgh has been a long time supporter by making my images available in the Warhol gift shop. The Warhol Museum is one of the Carnegie Museums.
These are two of my altered images of the house on Dawson Street in Pittsburgh where Andy Warhol grew up in with his parents and his brothers Paul and John. He lived there for 15 years, from 1934, when he was 6 until he left for New York City in 1949 after graduation from Carnegie Tech, now CMU. Before buying this house the family lived in a series of rented homes. He could walk to the secondary schools he went attended and to college from their home in Oakland, the University area in Pittsburgh. Saturday art classes at Carnegie Museum were an easy walk as well as the family church (read more).He was identified as artistically talented in public school and attended the museum art classes at no charge, which was the norm then. The museum still offers art education to students in grades 5-9. It has recently stopped offering adult art classes, though will continue with adult workshops where it is related to a specific exhibit.
Read here and here and here about the celebration and what the museum has done to re-invent itself. Oh, and here is another from NY Times. On Saturday May 17, 2014 the Pittsburgh museum that interprets the life and work of Andy Warhol celebrated its 20th anniversary with a sold-out black-tie gala for 650 people. Admission @ $500 is sold out. Collectors, donors and people who worked with the shy superstar dined and danced, then viewed the recently rehung collection starting on the 7th floor and previewing the new show on the 2nd floor Halston and Warhol: Silver and Suede. Read more and see some pics for who came into town to attend.
The free part of the weekend is Community Day and it started when the Gala ended at midnight. To celebrate of the kickoff of the Warhol’s 20th anniversary and American Art Museum Day, the museum will be open continuously from midnight to 5 p.m. May 18. Special activities include DJ duo AndrewAndrew from New York, midnight-2 a.m.; hands-on art-making and studio programs exploring Warhol’s artistic practices, 11 a.m.-5 p.m.; author talk and book signing for “Holy Terror: Andy Warhol Close Up” by Bob Colacello, the editor of Warhol’s Interview magazine, 3 p.m. All events are at the Andy Warhol Museum, 117 Sandusky St., North Side.
One thing the Warhol Museum wanted to address in the redesign was the fact that visitors have been coming to the museum for 20 years from all over the world, but often leaving without understanding that Andy Warhol was from Pittsburgh and that is why it is located here. Just a few blocks from the museum is the house Gertrude Stein was born in but the Steins moved to Oakland, CA was she was a baby so you cannot say she was from Pittsburgh in the same way.
Here are a few more of my images of Warhol’s high school and church the St. John Chrysostom Byzantine Catholic Church:
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Carol Skinger. All Rights Reserved.