Carol Skinger

2022 New Work

January 2022 begins with some abstract works on paper using archival colored inks

Horizontally divided abstract painting on paper. Above the horizon is mostly blue with white flowing into it. Below the horizon a mostly pale light beige color flows into smaller amount of darker brown. It’s a flowing ‘wet-in-wet watercolor’ style. The painting is done in permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 02 by Carol Skinger

 

Horizontally divided abstract painting in 3 zones on paper. Above the horizon is mostly pale sepia flowing to darker brown, including small bits of bright orange. Next zone at the center area is white. Below the white zone a mostly deep cool green and deep blue color flowing into white area at center. It’s a flowing ‘wet-in-wet watercolor’ style. The media is not watercolor but rather it is done permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water below it dries. www.carolskinger.com
Imaginary Landscape 05 by Carol Skinger

 

Horizontally divided abstract painting in 3 zones on paper. Above the horizon is mostly blue with white flowing into it. Next zone at the center area is white. Below the white zone is mostly darker brown with pale sepia flowing into it with small bits of bright orange. It’s a flowing ‘wet-in-wet watercolor’ style. The media is not watercolor but rather it is done permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 04 by Carol Skinger

 

Horizontally divided abstract painting on paper. Above the horizon a mostly pale light beige color flows into smaller amount of darker brown. Below the horizon is mostly darker, then lighter blue with white flowing into it. The white area appears as a flowing white zone in center horizon. It’s a ‘wet-in-wet watercolor’ style, showing much flowing of color into each other or into white areas. The painting is done in permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 02 by Carol Skinger

 

Horizontal abstract painting in blues, reddish brown and an ochre-like yellow on white paper. It’s a ‘wet-in-wet watercolor’ style, showing much flowing of color into each other or into white areas. The painting is done in permanent archival inks. The colored inks separate much like watercolor. The large amount of pigment in the colored inks move beautifully in water before it dries. www.carolskinger.com
Imaginary Landscape 07 by Carol Skinger

 

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‘Lantern Glow on the River’ print $125 Lge $55 Small

Lantern Glow on the River by Carol Skinger

Print (Glicee archival print on textured paper)

*Large $125

**Small $55

*Large print overall paper size: 25 7/8” wide x 17 3/4” high. This includes a 1” border of paper around the art. The art itself is 16” x 24” .

**Small print overall paper size: 14”wide by 9 3/4″ high. This includes a 1” border of paper around the art. The art itself is 12” x 8”

Intense orange afterglow in sky at sunset. Glassy luminous blue and viridian green on the water surface.  Shades of blue from midnight blue to pale blue light the overlapping bluffs on the river edge.

You might want to know: Poet Paul Martin requested the use of this painting as a cover for his poetry book Floating on the Lehigh. Soon after it was published, Garrison Keillor read Martin’s poem ‘The First Voyages Out’ from Floating on the Lehigh on Writer’s Almanac. Its at the end of the 5 minute audio piece.

Paul Martin was Winner of the 2015 Grayson Books Chapbook Competition.
I love what fellow poet John Stanizzi said about Martin’s poems in this book, and I hope my painting embodied these sentiments as well.
“Each poem in Floating on the Lehigh is buoyant and clear, a powerfully understated, beautifully written commemoration of the might and magnificence of nature and our tenuous, fickle, irresistible relationship with it.   Every poem is a small stone over which the rivers of clarity and intelligence flow gracefully.”
—John Stanizzi

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Carol Skinger. All Rights Reserved.